Ableton and Serato partnership imminent

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ableton serato partnershipAbleton and Serato are set to lift the veil on a major partnership on January 14th, the first day of the NAMM 2010 show, though few details have been released about the form that the partnership will take. It’s great news for digital DJ’s and music producers alike however, and speculation is now rife over what it could all mean. Never shy of joining in with a little speculation, here’s our best educated guess at what we might see in less than a week’s time.

Without doubt both Ableton Live and Serato will be running on one laptop (yes, I know, specialist subject the bleedin’ obvious), so instantly are we looking at perhaps a Serato DJ GUI embedded into the Live GUI too? An alternative would be just the two programs running together with a new communication protocol and a mini-preview window in each alternate GUI?

As for the actual software versions, a realistic guess would be a bespoke Itch from Serato alongside Ableton throwing in its recently launched Live Intro. Or, how about the appearance of Serato SL2 (a next incarnation of SL1 – Scratch Live)?

On the audio interface side (USB is assured), the Serato program needs dedicated hardware to run, usually in the form of the control unit itself which suggests a physical modification, or an adapted overlay to an existing Serato controller (Vestax, Numark anyone?). Ooh.. maybe an ‘all-new’ controller specific to the Ableton and Serato collaboration? Quick nurse, get me a towel…

And what of any software hopes and expectations? Perhaps we will see:

  • Live style beatgrids with variable BPM applied to Itch software – similar to tempo anchors in M-Audio Torq
  • A two way communication on warp marker technology
  • The use of Live’s VST plug-ins along with a handshake Re-Wire potential which could give the Serato DJ access to a massive armory of effects and sound textures
  • Use platter (turntable) control to scratch clips within Live
  • Crossfader assignment to fade out or quickly cut between clips, even with an adjustment to cued trigger points along the timeline
  • A customisable virtual work area to optimise use for different types of DJ (eg: those into scratching, breaks and beats and those following a more ‘smooth’ production oriented workflow).
  • Scratching clips but applying speed up/slow down timestretching

ableton serato

Both partners are also pointing to some exciting events, though unfortunately for us UK dwellers, they’re all Stateside to coincide with NAMM. They include a street based throwdown betwix Serato and Ableton artists in NAMM hometwn Anaheim, CA, and a Get Down party in the same city. It sounds a hoot, and I’m sure there’ll be YouTube video footage a-plenty come the following day(s).

Indeed, we haven’t got too long to wait but there’s already online chatter about DJ’s jumping ship from their current set up to this new team up – assuming they get it right. And why shouldn’t they? This actually has the potential to be a milestone and landmark (non) clash of the ‘digital’ titans! Ableton and Serato – watch this space and check the teaser video below..

About Paul Dakeyne

Paul Dakeyne has written 592 post in this blog.

Paul Dakeyne is a DJ/Producer who has dedicated the past two decades of his life to dance music production and DJ'ing. For six years, he toured globally for the world famous Ministry of Sound and has played DJ sets for the likes of U2 and for the legendary, Kraftwerk, Although remixing around 250 records in his career, as an artist in his own right, Paul landed one of dance music's seminal crossover moments with his "18 Strings' monster hit by Tinman - scoring a UK top ten in 1994. He also co-wrote and produced the music for BBC's Watchdog and Crimewatch when they were both revamped in 2001 and '06 respectively. His other career highlights have included an A&R stint for Mercury Records, lecturing in 'DJ culture and music technology' and creating mash-up mixes for Radio 1's, Chris Moyles. Paul joined the DV group in 2003 leading to his role as blog and feature author here at the DV Mag.

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