EKS Otus gets Raw

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eks otus rawThe EKS Otus Raw DJ Controller has sort of counted me as a fan for the past year, with my having used an original at live gigs and in the studio for mixtapes and other projects. It looks gorgeous, really gorgeous. It performs effortlessly with Traktor Pro – though honestly, for me, it left a touch to be desired in platter response (it’s not a ‘turntablist’s solution) and the touch-sensitive pad area when adjusting track pitch. It seems however that with the launch of this latest model, the Otus Raw, EKS has genuinely listened to DJ/user feedback and made some very welcome improvements.

First, a brief product history: The original Otus always was a single or dual deck DJ controller, flipping its control surface colours from green to orange as the user targeted the left and right decks of Trakor Pro. The operational template for Traktor was already mapped and supplied (though still customisable) but it also needs pointing out that Otus is a highly configurable, pretty much future proof MIDI device so other application control possibilities are achievable.

The new Otus Raw is now equipped with not one, but two long throw ‘Technics SL style’ pitch sliders, one assigned to each virtual deck (yay!). Also new are four large velocity pads and buttons which bestow easy and fast operation in a live DJ environment. A layer switch immediately multiplies the layers of controls available on Otus RAW, which translates to a fantastic amount of control possibilities.

I’m not sure if there’s been any changes to how the actual platter responds but don’t let the fact that the original Otus wasn’t 100 per cent a scratch DJ option put you off. It really is targeted towards ‘smooth’ club mixing, beat blending and effects performances by DJ’s well versed in studio production techniques. So, erm.. that’ll be me then?

The new EKS Otus Raw - Coming Spring, 2010.

About Paul Dakeyne

Paul Dakeyne has written 592 post in this blog.

Paul Dakeyne is a DJ/Producer who has dedicated the past two decades of his life to dance music production and DJ'ing. For six years, he toured globally for the world famous Ministry of Sound and has played DJ sets for the likes of U2 and for the legendary, Kraftwerk, Although remixing around 250 records in his career, as an artist in his own right, Paul landed one of dance music's seminal crossover moments with his "18 Strings' monster hit by Tinman - scoring a UK top ten in 1994. He also co-wrote and produced the music for BBC's Watchdog and Crimewatch when they were both revamped in 2001 and '06 respectively. His other career highlights have included an A&R stint for Mercury Records, lecturing in 'DJ culture and music technology' and creating mash-up mixes for Radio 1's, Chris Moyles. Paul joined the DV group in 2003 leading to his role as blog and feature author here at the DV Mag.

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