Tenori-On, and on, and on..

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| Posted in Music Technology

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Yes I know it’s been around for a year now but I’ve had a deeper look at this rather unique midi instrument from Yamaha (in conjunction with media designer, Toshio Iwai).

Its built in sound module has nearly 240 preset synth voices with 14 very useful electronic drum kits. 32 voice polyphony ensures a performance to be envied, and real time manipulation, triggering, layer changing and function selection is very tactile over the 256 led grid in conjunction with the numerous buttons and dial selector. Played very much un-like a standard musical/midi instrument, the Tenori-On relies on the user addressing the interface to intuitively play layers of ‘visible’ music (called ‘blocks’) by operating and interacting with the LED buttons and the light patterns they produce. The creative side may seem to be a case of just triggering the right ‘block’, pressing the right button, and effecting the desired cascade of secondary midi layers, but I doubt it is that simple though. A keen ear for melody, an innate feel for arrangement and pretty kick a**e timing are probably paramount to operating this very original instrument to it’s best capability.


It’s certainly not cheap, but if you’re looking to join that elite band of electronic performance musicians who like to express their art in a very different and stimulating manner, then this just may be the next instrument (and it is actually, an instrument!) on your shopping list.

Below are two videos, one of the Tenori-On’s creator taking us through a layer of sequences, and the BBC’s ‘hot for 2009′ tip, Little Boots playing the instrument in her live Jools Holland performance from late last year.

About Paul Dakeyne

Paul Dakeyne has written 589 post in this blog.

Paul Dakeyne is a DJ/Producer who has dedicated the past two decades of his life to dance music production and DJ'ing. For six years, he toured globally for the world famous Ministry of Sound and has played DJ sets for the likes of U2 and for the legendary, Kraftwerk, Although remixing around 250 records in his career, as an artist in his own right, Paul landed one of dance music's seminal crossover moments with his "18 Strings' monster hit by Tinman - scoring a UK top ten in 1994. He also co-wrote and produced the music for BBC's Watchdog and Crimewatch when they were both revamped in 2001 and '06 respectively. His other career highlights have included an A&R stint for Mercury Records, lecturing in 'DJ culture and music technology' and creating mash-up mixes for Radio 1's, Chris Moyles. Paul joined the DV group in 2003 leading to his role as blog and feature author here at the DV Mag.

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