Serato gets Itch’y with Vestax VCi300

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vestax vci300 blackIt seems quite a digital DJ flavour this week. My recent blog about the Vestax Spin reminded me to have a shout about the manufacturers VCi300 pro-DJ controller. Optimised and bullseye focused on Serato’s (free and bundled) superb ‘Itch’ digi-DJ software, this hands-on beauty is already on my wants list.

As is well documented here on this very blog, for gigging and mixtapes, my personal preference is N.I.’s Traktor software, but there’s a ton of Pro DJ’s I know who are loyal to the Serato Scratch format with ‘Itch’ being the latest sibling to appear. Don’t be put off considering the VCi300 if you are a Traktor user however, it rocks the funky beat just as well.

One of the things that makes the VCi300 so darn good as a scratch DJ’s controller is the jog wheels (or platters) which are very sensitive to both subtle or enthusiastic hand manipulation due to co-engineering allowing data to move very quickly between hardware and software. This is enhanced by the adjustable platter torque mechanism, designed to avoid vibration from low frequency feedback which otherwise could affect the Itch software’s performance accuracy.

serato itch

Connectivity and power for the Vestax VCi300 is via the standard USB port for computer chat and, with its built-in audio interface, the expected 4in/4outs plus headphone connection are present and correct. To actually translate how these feature descriptions manifest into the real world, it’s really best to check some YouTube videos which really confirm the true potential of the VCi300 and Serato Itch working together.

And on that note, I’ll leave you with one such video and wish you all a very Happy Christmas..

About Paul Dakeyne

Paul Dakeyne has written 589 post in this blog.

Paul Dakeyne is a DJ/Producer who has dedicated the past two decades of his life to dance music production and DJ'ing. For six years, he toured globally for the world famous Ministry of Sound and has played DJ sets for the likes of U2 and for the legendary, Kraftwerk, Although remixing around 250 records in his career, as an artist in his own right, Paul landed one of dance music's seminal crossover moments with his "18 Strings' monster hit by Tinman - scoring a UK top ten in 1994. He also co-wrote and produced the music for BBC's Watchdog and Crimewatch when they were both revamped in 2001 and '06 respectively. His other career highlights have included an A&R stint for Mercury Records, lecturing in 'DJ culture and music technology' and creating mash-up mixes for Radio 1's, Chris Moyles. Paul joined the DV group in 2003 leading to his role as blog and feature author here at the DV Mag.

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